Compositions

A Monkey’s Paw in rehearsal conducted James Wood, Darmstadt 1969
The Axe: ‘Two Voices with Axe,’  performed by Octandre, London 2019

1963

Glyphs for piano (8 min)

1964

String Trio (9 min)

String Quartet No 1 (11 min)

1965/66

String Quintet – revision of String Quartet (11 min)

1967

Objects and Interruptions

for flute, trumpet, cello, piano, electric organ (10-14 min)

1969

Incidents

for any number of string players and/or pianists (duration variable)

For a Percussionist and Two Horns (11min)

1968/70

A Book of Offerings

five pieces which may be performed separately or as a set

1  for flute and bells (7 min)
2  for electric (or chamber) organ and a sustaining instrument (5 min)
3  for solo cello (9 min)
4  for flute and cello (6 min)
5  for horns and trombones (7 min)

1972/73

A Book of Emblems and Songs

seven pieces which may be performed separately or as a set

1  for voice and bells (7 min)
2  Play – for two woodwind instruments and violin (4 min)
3  The Hanged Fiddler – for violin, percussion and a sustaining instrument (5 min)
4  The Inner Garden – for soprano, flute, alto saxophone, trombone, violin and percussion (9 min)
5  The Shining Youth – for one or three trumpets (2 min)
6  Quick, Quick, the Tamberan is Coming – for four bass flutes (8 min)
7  The New Born Child – for soprano with or without violin (4 min)

Unison 1- 4

four separate pieces for a variable small ensemble of sustaining instruments (not more than one from any family of instruments), plus female voice

1973

Unison 5

for variable ensemble of sustaining contrabass instruments (9 min)

Unison 6

for variable ensemble of not less than seven brass instruments (21 min)

1974

Frog – two pieces for a bowed stringed instrument (7 min)

1974/77

Melodies

a work in 25 movements that can be adapted to instruments of various cultural origins, some may be specially made, and voices. Each movement is a melodic study in intonation (total 90 min)

1975

Await the Sea’s Red Hibiscus – for solo cello (10 min)

Piece for Koto – in koto tablature (2 min)

For a Singer – for female voice (5 min)

1977

On, On, It Must Be So

for shakuhachi, bass drum and castanets (9 min)

Wheat – for shakuhachi and percussion (14 min)

1978

Quite White – for shakuhachi (8 min)

1979

A Fragile Thread

two pieces for a bowed stringed instrument (7 min)

1980

Apocrypha 1 – for solo cello (8 mins)

Apocrypha 2 – for solo cello (8 mins)

1982

Fiery Earth-Womb

for three male voices with hand-held percussion (7 min)

1983

After the Rain

for shakuhachi, violin, seven ocarinas (three players) and percussion (16 min)

1984

Winged Play – for solo shakuhachi (11 min)

Passages – for flute/piccolo, clarinet, violin/viola, cello (17 min)

1986

Marine Residua

for shell trumpets (three players), viola and two percussionists (15 min)

Stalks – for shakuhachi, bass recorder and viola (10 min)

Music for Two Performers

for two male vocalists with hand-held percussion (7 min)

1987/88

A Monkey’s Paw

for solo  violin, four female voices, three male voices (with eunuch flutes), five percussionists (with non-standard instruments), tin whistle, melodica, banjo, tuba, and three contrabass ocarinas (29 min)

Quartet (from A Monkey’s Paw)

for violin, tin whistle, banjo and melodica (4 min)

1988/89

Towards the Darkness

for three double basses, three flutes (tin whistles and plunger flutes), two percussionists (non-standard instruments) (11 min)

1988/90

Quartet

for bass flute, cimbalom, steel pans and double bass (11 min)

1990

Broken Music

for flute, contra-bassoon, melodica, cello, harp, banjo, two percussionists (non-standard instruments) (14 min)

1991

Archaeology

for bass flute, bass trombone, two percussionists (non-standard instruments) (12 min)

The Tender Sadness of Tyrants as They Dance

for shakuhachi and bass flute (18 min)

1992

Finding Refuge in the Remains

for soprano voice, bass flute/melodica, autoharp, bass trombone, double bass, two percussionists (non- standard instruments) (15 min)

1993

Contained in a Strange Garden

for soprano voice, bass flute/melodica, autoharp, bass trombone, double bass, two percussionists (non- standard instruments) (15 min)

1991/94

The Fish That Became The Sun

for four female voices, four male voices (with eunuch flutes), seven percussionists (non-standard instruments), solo violin, sitar, mandolin, cimbalom, three double basses, contra-bassoon, harmonium, four woodwind players (specially adapted organ pipes/crumhorns), two woodwind players (various whistles and shell trumpet), two child vocalists (aged 5-7), eight cornets off-stage (58 min)

1994

Resonances of Ancient Sins

for octobass flute, contrabass saxophone, bass tuba and percussion (wooden box) (8 min)

1994/95

Beneath the Fired City

original version for 2 percussionists (non-standard instruments) (12 mins)
revised version (2001) for 4 percussionists (non-standard instruments) (12 mins)

Out of the Shattered Shadows 1

for flute(s), tenor banjo, spinet/harmonium, percussion (non- standard) (13 min)

1997

Unnamed – for solo shakuhachi (47 mins)

Out of the Shattered Shadows 1

for flute(s), tenor banjo, spinet/harmonium, percussion (non-standard) (13 min)

1998

Out of the Shattered Shadows 2

for four male singers, two flutes, viola, percussion, and three off-stage musicians: low female voice, cornett, violin (15 mins)

2000

Prison Song

for flute, clarinet, violin, trombone/melodica and percussion (15 mins)

2001

Faint Traces

for  violin, cello, flute, clarinet/bass clarinet, male voice, percussion and trombone (13 mins)

2002/03

Tentative Thoughts, Silenced Voices

for muted violin, muted viola, Indian santur, two percussionists (special instruments), male vocalist 1 (with whistling tube) male vocalist 2 (with 6 concertina reeds) male vocalist 3 (with eunuch flute) offstage: trumpet (16 mins)

2004

Woman, Viola and Crow

for female violist who also sings etc (12 mins)

2004/05

Ghosts Again

for violin, muted violin, female voice, flute, clarinet, two percussionists (special instruments) six male vocalists with heavy percussion staves (13 mins)

2005

Two Beacons

for female voice, muted  violin, Indian sarangi (or viola d’amore), muted double-bass, 3 flutes, 2 percussionists (special instruments), offstage: mixed choir, behind audience: french horn (15 mins)

2006/07

Mother, Child and Violin

female vocalist, child vocalist, muted violin (9 mins)

2007

Riverine Delusions

muted violin, muted cello, bass flute, bass clarinet, bass trombone, percussion (11 mins)

2008

Woman with Jurashi Shakuhachi

female jurashi shakuhachi player who also sings (10 mins)

2009

A Woman Singing

for unaccompanied female voice (11 mins)

2010

Two Voices with Axe

for male and female voices, flute, muted violin, muted viola, double bass, percussion (2) (14 mins)

Whispers

17 pieces for solo male voice (with hand held percussion) and off-stage violin (18 mins)

2012

The Colours of Jellyfish

soprano solo, violin solo, small orchestra and childrens choir (28 mins)

2013

Two Female Voices and Two Flutes

for two female voices and two flutes (12 mins)

2014

Beyond the boundaries of Intimacy

solo flute (15 mins)

2015

A Linear Topography

small orchestra and shamisen (15 mins)

2016/17

String Quartet 2 (20 minutes)

2017/18

Screens

female voice, flute, violin, viola, two percussionists, speaker (18 minutes)

2021

Five Views of the Path 

female voice, 3 flutes, violin, mandolin, 2 Percussionists (20 mins)

2022

String Quartet No 3 (18 mins)

2023

String Quartet No 4 (16 mins)

2025

String Quartet No 5 (16 mins)